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William C. Miller, FAIA, CDP, is professor and dean emeritus, College of Architecture + Planning at the University of Utah. The history of Nordic architecture, and particularly modern and contemporary architecture, is his area of research.
Twenty-first century Nordic architecture embraces a variety of architectural ideas and directions, presenting fresh approaches with a renewed sense of the importance of architecture as a form of cultural expression and creation. Complementing new forms of urban public space is an explosion of civic architecture; cultural, educational, and communal buildings are being produced at a previously unseen rate and are widely regarded as being of high quality and fit for purpose. The international tendency towards sensationalism may be pulling Nordic egalitarianism in architecture in new directions.
From infrastructure and housing projects to culture and recreation centres, recent Icelandic architecture includes a range of design directions, among them the neo-modernism characteristic of the Nordics.
A national initiative developed by the Norwegian Public Roads Administration (NPRA) from the 1990s onwards creates numerous artistic, architectural, and landscape design experiences located along scenic travel routes in Norway’s striking and dramatic natural settings. Intended to increase access and bolster businesses in the rural countryside, the initiative has produced a constellation of cultural, artistic, and environmental projects which have resulted in increased tourism throughout the country.
An affluent country, Norway boasts remarkable productivity in architecture and infrastructure in recent decades, often drawing on neo-modernism, as well as a profound appreciation of the country's natural landscapes.
Recent Finnish architecture of note includes civic, cultural and religious works, ranging in style from neo-modernism to the more culturally referenced.
21st century cultural and civic buildings in Sweden offer both place-based and neo-modernist styles.
Many civic works in Greenland and the Faroe Islands draw upon the respective countries' dramatic, rugged landscapes and sometimes harsh climate for inspiration.
Since the Second World War, Nordic architecture has been informed by a dialogue between modernity and tradition and a sustained respect for local environmental and social conditions. This has provided a creative and expressive foundation for architecture throughout the second half of the twentieth century which has proven to be contextually responsive, socially responsible, and formally, spatially and tectonically expressive.
Booming Danish 21st century architecture includes harbour swimming pools, housing, civic buildings and event houses, with neo-modernist design playing a significant role.
The architecture of Finnish architect Juha Leiviksä synthesises an abstract modernism with a sensory, experiential expressionism that results in stunning light-filled interior spaces, especially in his religious buildings.
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